Cutting Filler Words to Speed Up Reading
Every word that carries no meaning slows the reader down, and web copy is full of them.
Take a sentence from almost any company’s website and try deleting words from it one at a time. You’ll be surprised how many you can remove before the meaning changes. “We are truly passionate about helping our customers to really unlock the full potential of their data” survives the loss of truly, really, full, and arguably passionate, helping, and unlock, until you’re left with something like “we make your data useful,” which is what the sentence meant all along.
The deleted words are filler. Not wrong, exactly. Just weightless. And weightless words have a cost that’s easy to underestimate, because the cost is paid in the reader’s time and attention rather than the writer’s. Reading speed is roughly proportional to word count. A visitor skimming your page has a budget, maybe a few hundred words of patience, and every filler word spends that budget without buying anything. If a third of your words carry no meaning, your reader gets a third less of your actual message before their patience runs out. On a phone, where a paragraph fills the whole screen and skimming is the default mode, the budget is even smaller.
Where does filler come from? Mostly from fear. “We help companies to streamline their workflows” feels safer than “we speed up your workflows” because the hedged version commits to less. Intensifiers come from a different fear, the fear of sounding flat: really, truly, incredibly, seamlessly. The writer senses the sentence is weak and pumps air into it instead of finding a stronger verb. Then there’s the throat-clearing that begins sentences: “It’s important to note that,” “At the end of the day,” “In today’s fast-paced world.” These phrases exist because writing a first sentence is hard, and they let the writer warm up on the page. The warm-up should be deleted before publishing, but usually isn’t.
There’s also filler by committee. When copy passes through several reviewers, each one adds a qualifier to cover some concern, and nobody has the authority to cut. “Fast” becomes “fast in most typical deployments.” Each addition is individually defensible. The sum is sludge. This is why big-company websites read the way they do. The words weren’t written; they were negotiated.
The interesting question is why filler hurts more on the web than in a book. In a book, the reader has committed. They’ll forgive a leisurely sentence because they’ve decided to be there. A web visitor has committed to nothing. They’re evaluating whether to keep reading with every line, and filler words are evidence against you. Not just because they slow things down, but because of what they signal. A sentence stuffed with qualifiers and intensifiers reads like a company that isn’t sure what it does. Plain, direct sentences read like confidence. “We back up your database every hour” needs no adverbs. The specificity does the persuading.
The mechanical fix is simpler than people expect, which is part of why I built a readability check into GazeSite that flags bloated copy: the problem is detectable almost by arithmetic. Write your draft however it comes out. Then make a second pass with one rule: every word must fight for its place. Delete a word; if the sentence still says the same thing, the word loses. Very, really, and actually lose almost every time. “In order to” loses to “to.” “Utilize” loses to “use.” “Is able to” loses to “can.” “The process of onboarding” loses to “onboarding.” Most drafts shrink by a quarter under this rule with zero loss of meaning, and the survivors stand out more because they’re no longer diluted.
There’s a subtlety worth respecting: not all extra words are filler. Words that manage rhythm, that give the reader a beat to breathe, that soften a command into an invitation, are doing work even though they carry no information. “Try it free” and “Go ahead, try it free” say the same thing, but the second has a tone the first lacks. The test isn’t whether a word adds information. It’s whether the word does anything. Filler does nothing. It’s not tone, not rhythm, not meaning. It’s packing material.
The deepest reason to cut filler has nothing to do with the reader. Filler lets you write sentences before you know what you mean. The vagueness is load-bearing: “streamline your workflow” can be written by someone who couldn’t tell you one concrete thing their product does. When you ban the fluffy words, you’re forced to find out what you actually claim. Sometimes the answer is uncomfortable. That discomfort is the point. A page you can’t write plainly is a page you don’t understand yet, and the reader would have noticed before you did.
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